When I work on my regular sized beasts, I tend to make them in batches. I’ll start with about 3 to 6 balls of clay, and work on them in parallel over the course of a few weeks. Often each step in the process of making a beast will only take an hour to half hour, but I’ll need to let the parts rest and dry for a day between each step. This makes sure that seems don’t reopen or wet legs don’t get attached to dryer bodies. I’ll often spend a morning or a day doing nothing but making legs or sanding backs.
Before the last firing, I decided to track a whole group of critters as I made them. I started with a bag of clay and ended up with Beast with a Ball, Flatout Beast, Mournful beast with horns, the papaya beast, and the two stilt beasts having a conversation. This last week I finally got around to putting together most of the timelapse footage, and have four new videos for you.
Beast with a Ball
Mournful Beast with Horns
I find it very amusing to watch the clues as to the progression of time: What I’m wearing, what color bandana I have, if I have a soda, and how messy my work area has gotten.
[…] ceramic artist working out of Seattle. She has a new blog on her website which includes a number of time lapse videos of her creating her monsters. From her website, “Eva’s work focuses on emotion and whimsy. […]
[…] Time lapse video showing Eva Funderburgh hand-building one of her beasts […]