Eva Funderburgh

Coming up in May, I’m going to be taking part in an exciting show called “Denizens of the Forest King” at the Twilight Art Collective, located in West Seattle. It will  be  Justin Hillgrove, Mike Capp, and myself presenting all manor of monstery beasts! Here’s a bit about the line up!

ABOUT THE SHOW:

Come glimpse the Forest King’s realm and the creatures and oddities under his stewardship. New works by Justin Hillgrove, Eva Funderburgh and Mike Capp.

Justin Hillgrove grew up in Snohomish, WA and has been enjoying artistic expression since he was old enough to color on the walls.  He studied Design and Illustration at Seattle Central and has since enjoyed many years of freelance illustration and design, working on everything from collectible card games to toys. He paints monsters, imps, robots and other oddities in satirical, sweet or uncomfortable situations he finds amusing, many of which are inspired by his children. Justin has showed at galleries and shows all over the country, with collectors all over the world.

Eva Funderburgh  is a Seattle artist, who makes strange and slightly whimsical ceramics monsters.  While technically a native Seattleite, she has spent most of her life so far in Kansas and Pennsylvania, but is glad to now be back in the land of rain and delicious salmon.  A graduate of Carnegie Mellon University, she’s been working on art full time for the past few years, and has created a world of fat, elegant, and clumsy beasts.  Her sculptures are finished in a wood fired kiln, an anachronistic process more connected with the Japanese tea ceremony that with the present art world. The end results are beasts that share influences from comic books to Greek myth to Japanese anime, but yet are truly unique.

Mike Capp is an accomplished artist who finds inspiration for his artwork through his children’s creativity and pop imagery. His paintings don’t really mean anything dangerous, angsty or irksome. There’s no bubbling social commentary. His paintings which incorporate his young children’s’ drawings aren’t meant to provoke the unarticulated terrors of childhood. They’re just drawings of monsters, superheroes and robots.  Even though there’s plenty of angst behind his humor, more so there’s a playful, impish, boy’s mind, full of cartoons and KISS memorabilia. His technique is solid and clean, so he affords himself the privilege of choosing subject material that is loose and silly, while still keeping a close eye on small details of color and composition. He paints what feels good and what results are paintings that are funny and frivolous, in a good way. It’s not as important to understand what his paintings mean, as it is to understand that they are just what they appear to be.

I’ve recently been putting together some timelapse videos of pieces from March 2009 firing. I have a couple more videos lined up, but they all still need to have the notes put in, the slowest step.  I’m also planning on making a few new videos of my saggar fire pieces – I’m looking forward to seeing the burnishing process via timelapse.

Anyway, for now, here’s a timelapse of the creation of “Berry Eater”

Tomorrow morning, I will be heading off to my thrice yearly anagama firing. We’ll spend Saturday and Sunday loading the kiln, and start up the fire Sunday night. When will depend on when we get done loading. In the past we’ve started it at times ranging from 6pm Sunday to 3am Monday. Hopefully, it won’t be anything nearly so late as that.
Right now, it looks like I’ll be working the swing shift, 4pm to 12:30am. The schedules are still a bit amorphous, but I hope it works out like that. There’ll be nine of us, working three different shifts. We’ll fire for about 110 hours, shutting it down some time on Friday.
I’ll try too keep things updated on the blog, and I’ll also keep things going on twitter as well! Off I go!

I’d mention this show a while ago, and before I knew it, it’s almost the opening!

This Saturday from 3pm to 8pm, stop by Madera Woodworking in Tacoma, WA, to explore an amazing collection of Northwest Woodfire.  The opening is longer than normal to accommodate everyone who might wander by.  I’ll probably be at the gallery between 5 and 8.  I think I’ll even try and finally explore Tacoma’s famous glass museum!

The line up for the show looks incredible: John Benn, Colleen Gallagher, John Harris, Sam Hoffman, Terry Inokuma, Chris Knapp, Jen Lee, Andy Lewis-Lechner, Susan Lochner, Hiroshi Ogawa, Reid Ozaki, Erin Solberg, and Natalie, Warrens.

I’m also going to be using the show to unveil “Glowback”, a creature that I’ve been working on for a while.  I teamed up with my husband to wire up LEDs and a microcontroller to cause the back of the beast to glow.  I have an entire flickr set up documenting the whole process.  If all goes as planned, we’ll finish up the last bit of work tonight, and I’ll take it to the gallery tomorrow.

On Saturday, December 13th, 2008, Florentia Clayworks will have its second Annual Holiday Sale and Party!  This year, we will be doing a single night celebrations, from 7 to 10pm.  Come on by for a chance to check out my work in person, meet my studio mates, browse fun art work, eat, drink, and generally enjoy yourselves! We are located just South of the Fremont Bridge, in Seattle, Washington, on 218 Florentia St.  Stop on by and have some fun!

As a first this year, I will be doing a silent auction of two of my favorite sculptures.  I will donate 40% of the proceeds to charity.  Here are the two beasts, and the two charities.

First off is ‘Digger Beast with Ball.”  He is one of the best pieces I got out of this last firing.  I will be donating 40% of his sale to Child’s Play.  Child’s Play is a group that raises games, toys, books, and money for childrens’ hospitals world wide. I figured this playful digging beast would approve of the choice (as long he can keep his ball).

Second is “Discovery.”  I have to admit that I often wish I could just keep all of my sculptures myself.   I just really like the interaction I’ve capture in the piece.  I leave it up to the viewer as to how these two guys will behave, but personally, I picture the big guy sniffing the little one, and maybe being hissed at.  Nothing too sinister.  However, since real world interaction seldom end up as nonviolently, (especially between countries) I will be donating 40% of his sale to the International Red Cross.

I’m quite excited about the firing coming up in late October.  I’ve had some extra time to get pieces together for it, and I feel like it’s paying off.  I think I’m on track to make enough work for my galleries, and have a holiday sale at my studio.  I’ll post dates and stuff like that once I have them, but in the mean time, here’s more of a sneak peak at my drying shelves.

These are the ones that I finished most recently.

Also, in my studio, I have a big white board.  I use it to make random notes to myself, sketch ideas, and just doodle stuff.  I really like the idea I have on there now, but I’ll have to wait and see as to how it comes together.  I’ve been big on antlers recently, but I don’t know how well they’ll survive the firing.  They might just droop.  To avoid that, I’ll have to make them very stocky.  Also, do you you recognize the guy in pink?

In this last week, I decided to shuffle all of my work between my galleries.  I just took most of the stuff from gallery A and gave it to gallery B and so forth.   This just keep everything fresh for everyone.  Part of the fun of this (besides trekking all over Seattle with a suitcase full of critters), is that most of the work I have for sale in my studio has been refreshed too! The new list of pieces for sale is up on flicker.  Stop, browse, and have yourself some fun!

Before this last firing, I filmed all the steps in sculpting one set of beasts. I’ve been calling it “Trio”, but in some ways it’s also “Cuddle” #2. I liked the beasts I made for “cuddle” and wanted to see a larger arrangement of them. It was surprisingly hard to figure out how to make the three fit together. Anyway, here’s the timelapse video fully tracking them from beginning to end.

I really like arranging my beasts in groups. And this sort of lumpy, toothy form really appeals to me. For a bit, I’ve been meaning to make a pile of 10 or 20 guys. Maybe next firing I’ll have time.

I’ve just about finished photographing all of my work from this last woodfiring. I have a couple pieces left that I’m still doing some mixed media work on, specifically a few beasts that will be walking on stilts and the big city beast. The stilt beasts will be done hopefully in another day or two, but it will be a bit longer for the big city beast. In addition to having some mixed media work to go, he’s also too big for my photo set up. It’s located in the shower stall of the spare bathroom of our studio, and maxes out on any piece bigger than six inches or so. I’ll have to take the city beast out to the other side of the Sound and get Steve Sauer to photograph him for me.

Anyway, here’s the point of this post.  My new work!