Eva Funderburgh

On Saturday, December 13th, 2008, Florentia Clayworks will have its second Annual Holiday Sale and Party!  This year, we will be doing a one night only celebrations of good times, from 7 to 10pm.  Come on by for a chance to check out my work in person, meet my studio mates, browse fun art work, eat, drink, and generally enjoy yourselves! We are located just South of the Fremont Bridge, in Seattle, Washington, on 218 Florentia St.  Stop on by and have some fun!

As a first this year, I will be doing a silent auction of two of my favorite sculptures.  I will donate 40% of the proceeds to charity.  Here are the two beasts, and the two charities.

First off is ‘Digger Beast with Ball”.  He is one of the best pieces I got out of this last firing.  I will be donating 40% of his sale to Child’s Play.  Child’s Play is a group that raises games, toys, books, and money for childrens’ hospitals world wide. I figured this playful digging beast would approve of the choice (as long he can keep his ball).

Second is “Discovery”.  I have to admit that I often wish I could just keep all of my sculptures myself.   I just really like the interaction I’ve capture in the piece.  I leave it up to the viewer as to how these two guys will behave, but personally, I picture the big guy sniffing the little one, and maybe being hissed at.  Nothing too sinister.  However, since real world interaction seldom end up as nonviolently, (especially between countries) I will be donating 40% of his sale to the International Red Cross.

In addition to using some of my new found free time to sign up for an “Anything-goes Art Event”, I also put together another bit of stop motion.  I recommend going to youtube, where it is possible to click on the “view in higher quality” option.

I’ve just now gotten my confirmation for signing up for Design Festa vol 29.  Design Festa is Asia’s largest freestyle art event.  The term “art fair” really doesn’t do it justice.  Twice a year, approximately 3,500 artists take over “Tokyo Big Sight“, the iconic Tokyo conference center.  Next May, I will be one of them.

The way Design Festa works is that anyone can obtain a booth.  It is then up to you as to what to do with your two tatami mats worth of floor.  Photos I’ve seen online range from people showing off paintings, selling t-shirts, jewelry, and vinyl figurines, rocking out on electric guitar, dressing up as a horse while painting a picture of a horse, doing crazy performance art, selling cardboard robots, metal monsters, and tiny faces painted on matchstick heads.  A personal favorite appeared to be a booth that sold or rented paper bags with happy animal faces drawn on them.  The idea, as described in an illustration, was that if you were sad, you would put one of these on your head, and it made you happier. As I said, anything goes.

The more I look around, the more strange and intriguing stuff I find.  (Beautiful tiny dyed fish skeletons!?) While I’m not too sure what to expect, other than an adventure, it is my plan to take myself and a large number of critters to Tokyo in May, 2009.

It turns out that the rumors of cone 13 being down in back were true. We decided to shut it down at 4pm. We mixed up the mud (wood ash, clay, and water) and sealed up all the openings. We spent the next three hours reduction cooling. I’ll post more on that soon, because I’m on my way home! It will be very good to be back.

I’m still up at Ken’s studio, and haven’t gone down to the kiln yet today. However, one of the morning shift has just past on some crazy news. Cone 13 is down not only in the middle, but also in the far back. This hotter than we’ve ever gone before. Apparently, they’re struggling to keep the front from taking off even more. Going hotter is hard on the clay. I was about to go split some wood for the night shift, but with these temperatures, we might just shut it down this evening.
Here’s two shots from last night - the kiln at night, and my sidestoking duty station.

The kiln has been above 2000 degrees in both front and back for about a day now. It’s been keeping between 2200 and 2300 in front, and we’ve been fighting to get the back to match that. We’ll gain maybe 100 degrees over the next two days. It’s funny how you spend the first day or two working to keep it slow, and now we might have to fight for every 20 degrees.
For the next few days it will mainly be about what the cones are doing, and what the coal bed is like. Cones measure a combination of heat + time, and give us a better idea of how the pots are doing than just temperature. Last I heard, cone 13 is bending in front, and 10 is down in the middle. Not sure about the far back. The kiln will continue to feel hotter and hotter as we go on.
Flame and smoke from the stack with every stoke now. Also, it is a VERY beautiful day.

I’ve been on shift since 4, and right now we’re at 2250 in front, and 2100 in back. I’m on the back of the kiln, and have been fighting with it for the last hour. It went down to 2040. I had to switch to small rapid stokes (3 pieces at once) from larger stokes (7 pieces). I ask Steve, who’s down at the front, as to how many pieces he’s been putting in - “how ever many pieces he #%}^* well feels like”

Second swing shift of the firing. 8:30, and we’re 24 hours into the firing. We’re at 1550 degrees in front, and 900 some in back. It will even out as we go along. Red heat in front.

I’ve been trying to use the iphone wordpress app. It’s decent, but in this area of sketchy phone reception, it does have a few frustrating bugs. If a post fails halfway through sending, it will then crash every time you try to send it again, and you’ll have rewrite it. This post will be a little shorter than it once was.
Anyway, when I last checked the kiln a few hours ago, it was at 950 degrees. The day shift has it now. I’m on shift from 4pm to 12:30am. We started the kiln at 9 last night. For the first 900 degrees, the fire is outside the kiln, in the primary air intake. This lets us control the fire more easily, heating the kiln up slowly, as to not shock the pots.

We’re most of the way done with loading. Both the middle and the front fireboxes are a bit roomier than normal. We aren’t going to be using the far back firebox, since we think it doesn’t effect the kiln. We just used the space for pots instead. The kiln is packed very tightly.