Eva Funderburgh

We unloaded the kiln on Saturday, and it looks like a great firing. I’ve spent the last two days trying to clean up all of the work, and sort it as to where it will be going. Most of the beasts came off of their wads cleanly, meaning there wasn’t too much work to do as far as that. What was harder was deciding where each piece should go. I’ve set aside four to submit to jurried shows, another four or five to send to a show in Idaho, about 10 to take with me to Japan, and another 10 to 12 that will be for sale online. They’ll all be showing up online at around noon (PDT) on April 18th – so if you feel like buying a piece, check back near then!

I’m also finally all packed up for NCECA. I’ll be spending four days there, and then camping in the area with my dad, my brother, and my brother’s wife. It should be a lot of fun!

I’m back from the woodfiring, and have finally had a chance to relax, and get caught up email and so forth.  Overall, I feel like it was a pretty solid firing.  There were no crisis and no drama.  Everything went as planned.  We dropped cone 13 in the front of the kiln, and were probably in the cone 12 range in far back section of the kiln.  That’s fairly standard, and where we like to be.  We kept front of the kiln over 2300f for a day or two, though we would have liked the back to be hotter.  It was generally in the 2100’s for the last couple days, seldom staying in the 2200’s, which would have been nicer.  Regardless, there’s not too much point in speculating until we unload it on the 4th.

It’s going to take a few days for me to sort and clean all of my new work.  I need to decide which pieces will be traveling to Idaho for a show at the Art Spirt Gallery, and which pieces will be coming with me to Design Festa in Tokyo.  However, it’s my goal to to have all the photos go online, and new pieces for sale on the 18th.  I’ll post more information after I’ve unloaded the kiln.

All my firing photos are up on flickr now.  Enjoy!

By the end of the firing, everyone ends up so very tired. This is the last night. We’re just working on maintaining temp, especially in the back of the kiln. We’ve dropped cone 13 in the front, and it looks like cone 13 in the far back might be soft. It’s hard to tell, since cone 12 reacts to the ash or something, and doesn’t melt like it should.
Tomorrow morning, we’ll mud up the kiln, and reduce cool it for a few hours. That will probably start in about seven hours.
Here’s a photo of the wood at the start of the firing, and how it is now. We got a whole brand new cord of wood that’s unstacked in the “after” photo.
The other photo is of the night crew. They’re good folks.

Day three went smoothly as well. I’ll give more details tomorrow, it’s been a long day… Here’s the short version

*spent the day fighting to get the back temp up. Fairly standard for day three. Front was in the 2300s, but the back was back to the 2100s.

*Teabowls were pulled from the front of the kiln in a sort of high temperature raku. Lots of folks came to watch.

*used a lot of wood. We got another cord delivered, and have used about half of the sidestoking wood split so far

*Got to see two of those noisy barred owls fly right past me. Awesome.

The firing is going along smoothly. Yesterday evening, we had a bunch of trouble with wet wood. Between noon and 6pm we just hung out between 800 and 900f, fighting to try and get it to rise. However, we found some dry stuff eventually (under the cords of wet wood we’d stacked infront of it on Saturday) and got the temp up to 1300 in a couple hours.
Since then thing have been going smoothly. They did body reduction during the graveyard shift – putting the kiln into heavy reduction to pull iron oxide (and others) to the surface of the pots. They also started side stoking today, so there’s more to do. Luckly we’re well set for side wood for now!

We lit the kiln at about 9pm last night, with the loading wrapping up smoothly. We keep the temp to a rise of 50 degrees an hour for the first 1500 degrees or so, which can be tricky. The kiln will want to take off at first. At this point the fire is outside the front of the kiln, with the flames being pulled up through the kiln. This also useful to keep warm!! It gets cold up here! However tomorrow night will be the cold one – the fire will be inside the kiln, but the kiln won’t be hot enough to give off radient heat yet. The kiln is a giant physical mass of bricks, and it will take a lot of time and a lot of heat to get those suckers warm.
I have a photo of Anthony lighting the fire, and of Rick feeding it, last night at 300f. The next photo is Beverly, this morning at about 800f.

We’re well into the second day of loading the kiln. Loading is always the slowest part of the firing, getting every piece just right. We also have a number of difficult pieces to load this time. Eric Nelson is leaving some pieces to be fired with us, and they’re so delicate and complex that they’re pretty tough to get into the kiln. I’m guessing we’ll be starting it around midnight.

Tomorrow morning, I will be heading off to my thrice yearly anagama firing. We’ll spend Saturday and Sunday loading the kiln, and start up the fire Sunday night. When will depend on when we get done loading. In the past we’ve started it at times ranging from 6pm Sunday to 3am Monday. Hopefully, it won’t be anything nearly so late as that.
Right now, it looks like I’ll be working the swing shift, 4pm to 12:30am. The schedules are still a bit amorphous, but I hope it works out like that. There’ll be nine of us, working three different shifts. We’ll fire for about 110 hours, shutting it down some time on Friday.
I’ll try too keep things updated on the blog, and I’ll also keep things going on twitter as well! Off I go!

I’ve spent the last 48 hours rushing to get off an application for an “Emerging Artist” grant. Now, the light box is finished, a first round of work is photographed, and the CD with my images is burned and in the mail.

I’ve only had time to photograph a few of my favorite pieces, and looking through the results, I think I’ll be doing a few more tweaks to the lighting set up.  I’m pretty happy with it, but I feel like fussing with it a bit more.  Once I have all the information on the new critters up, I’m hoping to put together a howto on building the lighting softbox.

I’ll have my work cut out for me with documenting all of my beasts, though.  I’ll need to photograph them, record all the useful info for them, and price them.  I’ll also have to decide which to send off to galleries, which to sell myself, and which pieces will be not for sale, reserved to enter into shows.  Hopefully, I’ll have all of that worked out by the end of the week.  In the mean time, I’ve uploaded some of the photos I shot today.

So we unloaded the kiln yesterday.  All in all, it seem like a pretty good firing.  It turned out that we hadn’t dropped cone 13 in the far back, like we thought.  The cones were only viewable from a very strange angle in the back, and someone misread them.  We were only at cone 11 in back, which isn’t bad, but isn’t 13 either. However, we were right about the cones in the front. Cone 13 was completely flat, and cone 14 was starting to bend.

In general, the firing didn’t seem to be hurting from shutting down 15 hours early.  The back was much drier than normal, which was ok for everyone who glazes their pieces (I don’t), but resulted in one or two matte blue gray critters.  I might refirer those two.

Most of the pieces came out great.  I need to now work on cleaning up everything, which should be easy this time, and get photographing.  Unfortunately I need to finish rebuilding my lighting set up from scratch before I can do that.  Photos of the new work (and the new photographic lighting set up) will be coming soon!